The Gladdest Thing

Interesting how we fall in love:
in my case, absolutely. Absolutely, and, alas, often—
so it was in my youth.
And always with rather boyish men—
unformed, sullen, or shyly kicking the dead leaves:
in the manner of Balanchine.
Nor did I see them as versions of the same thing,
I, with my inflexible Platonism,
my fierce seeing of only one thing at a time:
I ruled against the indefinite article.
And yet, the mistakes of my youth
made me hopeless, because they repeated themselves,
as is commonly true.
But in you I felt something beyond the archetype—
a true expansiveness, a buoyance and love of the earth
utterly alien to my nature. To my credit,
I blessed my good fortune in you.
Blessed it absolutely, in the manner of those years.
And you in your wisdom and cruelty
gradually taught me the meaninglessness of that term.

— Louise Gluck

The poor hands, overworked and dry,
dressing the body like maids
who button the lady’s silk shirt
and fan her with their palms.

The poor palms
with their geography of lines.
One is broken,
another tells us, short life.

It is just like the hands
to tell their stories without shame.
Even held down, the white knucklebones
assert themselves through the skin.

— Linda Hogan

Oh, when I was in love with you,
  Then I was clean and brave,
And miles around the wonder grew
  How well did I behave.

And now the fancy passes by,
  And nothing will remain,
And miles around they’ll say that I
  Am quite myself again.

— A. E. Housman

Why do we bother with the rest of the day,
the swale of the afternoon,
the sudden dip into evening,

then night with his notorious perfumes,
his many-pointed stars?

This is the best—
throwing off the light covers,
feet on the cold floor,
and buzzing around the house on espresso—

maybe a splash of water on the face,
a palmful of vitamins—
but mostly buzzing around the house on espresso,

dictionary and atlas open on the rug,
the typewriter waiting for the key of the head,
a cello on the radio,

and, if necessary, the windows—
trees fifty, a hundred years old
out there,
heavy clouds on the way
and the lawn streaming like a horse
in the early morning.

— Billy Collins

Take the used-up heart like a pebble
and throw it far out.

Soon there is nothing left.
Soon the last ripple exhausts itself
in the weeds.

Returning home, slice carrots, onions, celery.
Glaze them in oil before adding
the lentils, water, and herbs.

Then the roasted chestnuts, a little pepper, the salt.
Finish with goat cheese and parsley. Eat.

You may do this, I tell you, it is permitted.
Begin again the story of your life.

— Jane Hirshfield

On a piece of toilet paper
Afloat in the unflushed piss,
The fully printed lips of a woman.

Nathan, cheer up! The sewer
Sends you a big red kiss.
Ah, nothing’s wasted, if it’s human.

– Leonard Nathan

She lay on her back in the timothy
and gazed past the doddering
auburn heads of sumac.

A cloud—huge, calm,
and dignified—covered the sun
but did not, could not, put it out.

The light surged back again.

Nothing could rouse her then
from that joy so violent
it was hard to distinguish from pain.

— Jane Kenyon

Cat, if you go outdoors, you must walk in the snow.
You will come back with little white shoes on your feet,
little white shoes of snow that have heels of sleet.
Stay by the fire, my Cat. Lie still, do not go.
See how the flames are leaping and hissing low,
so white and so smooth, so spherical and so sweet—
stay with me, Cat. Outdoors the wild winds blow.

Outdoors the wild winds blow, Mistress, and dark is the night,
strange voices cry in the trees, intoning strange lore,
and more than cats move, lit by our eyes’ green light,
on silent feet where the meadow grasses hang hoar—
Mistress, there are portents abroad of magic and might,
and things that are yet to be done. Open the door!

— Elizabeth Coatsworth

I need a chocolate bar I can live with,
nothing too big, a red-brick biscuit base, perhaps,
south-facing, on a quiet, tree-lined residential street
where parking late at night won’t be a problem.

Nothing too crumbly either. I don’t want
to be sweeping up bits of cornice all weekend
and pestering the surveyor with each new crack
in the milky bar matt emulsion shell.

It’s got to be the sort of place I can forget about,
with cocoa solids minimum 65 per cent
and nougat foundation limed with soya lecithin
cement and bourneville guttering

no matter what the cost because you can’t price
peace of mind and that means no original features,
nothing too fancy, nothing architect-designed.
There’s only me, I know exactly what I’m looking for,

not space so much as surface area, a honey-comb interior,
with wafer walls and butterscotch parquet
leading from room to room, each mouthful lighter,
sweeter than the one before and breathed, not tasted,

like a puff of icing sugar. Coming home
will be a hit, a score. I’ll drop my hand-bag in the hall,
tie back my hair, lie down and lick the floor.

— Kate Bingham

Listen! I will be honest with you.
I do not offer the old smooth prizes, but offer rough new prizes.
These are the days that must happen to you:
You shall not heap up what is called riches,
You shall scatter with lavish hand all that you earn or achieve.
However sweet the laid-up stores,
However convenient the dwellings,
You shall not remain there.
However sheltered the port,
And however calm the waters,
You shall not anchor there.
However welcome the hospitality that welcomes you
You are permitted to receive it but a little while.

Afoot and lighthearted, take to the open road,
Healthy, free, the world before you,
The long brown path before you, leading wherever
you choose.
Say only to one another:
Camerado, I give you my hand!
I give you my love, more precious than money,
I give you myself before preaching or law:
Will you give me yourself?
Will you come travel with me?
Shall we stick by each other as long as we live?

— Walt Whitman